All John Constable Oil Paintings
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John Constable Hampstead Heat oil painting


Hampstead Heat
Painting ID::  54518 		Artist: John Constable
Painting: Hampstead Heat
Introduction: mk235 1824 Oil on canvas
   
   
     

 

 

 
 

 

 

 
John Constable The Hay Wain oil painting


The Hay Wain
Painting ID::  54520 		Artist: John Constable
Painting: The Hay Wain
Introduction: mk235 1821 Oil on canvas 130.2x185.4cm
   
   
     

 

 

 
 

 

 

 
John Constable the hay wain oil painting


the hay wain
Painting ID::  56190 		Artist: John Constable
Painting: the hay wain
Introduction: mk247 1821,oil on canvas,51.375x73 in,130.5x185.5 cm,national gallery ,london,uk
   
   
     

 

 

 
 

 

 

 
John Constable brighton beach with colliers oil painting


brighton beach with colliers
Painting ID::  56194 		Artist: John Constable
Painting: brighton beach with colliers
Introduction: mk247 1824,oil on paper,5.875x9.75 in,14.9x24.8 cm,victoria and albert museum,london,uk
   
   
     

 

 

 
 

 

 

 
John Constable en studie av himmel och trad oil painting


en studie av himmel och trad
Painting ID::  56521 		Artist: John Constable
Painting: en studie av himmel och trad
Introduction: mk248 for constable innebar bimmelsiakttagelsiakttagelser att gora sma studier i olja av moln med detakjerade anteckningar skrivna pensselstreck ocb over lappen deferger, vilket gav djup at molnformationen, studierna var inte nodvadigtvis en del av en storre komposition utan atergav vader ljus ocb farg pa ett speciellt avsnitt av bimlen.
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Nicolaes Pietersz. Berchem | Pieter Wouwerman | Enguerrand Quarton | Gabriele Capellini | Johan Ericson |

 

 

 
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